Theater

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How did Columbia wrestler Nat Pendleton (CC’1916) score parts in both the 1920 Olympics and the Marx Brothers movie Horse Feathers?

Gilbert and Sullivan. George and Ira Gershwin. Rodgers and Hammerstein. Dorothy Fields and anybody. Let’s not forget Mozart and Lorenzo Da Ponte, who wrote the libretto for Don Giovanni and, much later, became Columbia’s first professor of Italian.

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