The cast of characters in Vera, or Faith, by Gary Shteyngart, professor of writing at School of the Arts, includes the Bradford-Shmulkin family, which is falling apart. A modern blend of Russian, Jewish, Korean, and New England WASP, they love one another deeply, but the pressures of life in an unstable America are fraying their bonds. There’s Daddy, a struggling, cash-thirsty editor whose Russian heritage gives him new currency in the world of 21st-century geopolitics; his wife, Anne Mom, a progressive, underfunded Boston blue blood who’s barely holding the household together; their son, Dylan, whose blond hair and Mayflower lineage provide him pride of place in the current American political order; and, above all, young Vera, half-Jewish, half-Korean, and a true original.
Observant, sensitive, and always writing down new vocabulary words, Vera wants only three things in life—to make a friend at school; Daddy and Anne Mom to stay together; and to meet her birth mother, Mom Mom, who will at last tell Vera the secret of who she really is, and how to ensure love’s survival.
Columbia News caught up with Shteyngart to ask him about the novel, among other things.
How did this book come about?
I saw Kramer vs. Kramer on a long plane ride and I thought, Oh, right! I love writing about divorce! But it’s always from the point of view of the parents. Why not do the child’s POV like Henry James did in What Maisie Knew?